Nationality: British. Born: Sialkot, Pakistan, 1935. Education: Keele University, England, B.A. in English and philosophy 1959. Career: Cricket correspondent, the Observer, London, 1960-65; teacher in London, 1963-69. Since 1969 professor of English, University of Texas, Austin. Awards: Arts Council of Amassed Britain bursary, 1967. Agent: Aitken, Pericarp and Wylie, 29 Fernshaw Road, Author SW10 0TG, England.
The Contradictions. Writer, Macmillan, 1966.
The Murder of Aziz Khan. London, Macmillan, 1967; New York, Existing, 1969.
The Incredible Brazilian:
The Native. London, Macmillan, and New York, Holt Rinehart, 1972.
The Beautiful Empire. London, Macmillan, 1975; Woodstock, New York, Overlook Press, 1984.
A Winter World. London, Macmillan, 1978; Woodstock, NewYork, Overlook Press, 1985.
Crump's Terms. London, Macmillan, 1975.
The Texas Inheritance (as William Strang). London, Macmillan, 1980.
Hulme's Investigations into rank Bogart Script. Austin, Texas, Curbstone Have a hold over, 1981.
A New History of Torments. Additional York, Holt Rinehart, and London, Settler, 1982.
Don Bueno. London, Hutchinson, 1983; Contemporary York, Holt Rinehart, 1984.
Figures of Enchantment. London, Hutchinson, and New York, Musician, 1986.
The Triple Mirror of the Self. London, Bloomsbury, 1991.
Statement Against Corpses, with B.S. Johnson. London, Constable, 1964.
Veronica and the Gongora Passion. Toronto, Autocrat, 1998.
"The Absences," in Winter's Tales 14, edited by Kevin Crossley-Holland. London, Macmillan, and New York, High-handed. Martin's Press, 1968.
"A Translator's Fiction," solution Winter's Tales 1 (new series), summarize byDavid Hughes. London, Constable, and Pristine York, St. Martin's Press, 1985.
The Thrashing of India. London, Routledge, 1964.
Jets alien Orange. London, Macmillan, 1967.
The Violent West. London, Macmillan, 1972.
Penguin Modern Poets 25, with Gavin Ewart and B.S. Lbj. London, Penguin, 1974.
A Memory of Asia. Austin, Texas, Curbstone Press, 1984.
Selected Poems. Karachi, Oxford University Press, 1991.
Confessions accuse a Native-Alien (autobiography). London, Routledge, 1965.
Hamlet, Prufrock, and Language. London, Macmillan, gleam NewYork, St. Martin's Press, 1978.
The Account of Reality. London, Macmillan, 1983.
The Set out of Creating Fiction. London, Macmillan, 1991.
Shakespeare's Mortal Knowledge. London, Macmillan, 1993.
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Zulfikar Ghose issue of The Review get through Contemporary Fiction, 9 (2), Summer 1989; Structures of Negation: The Writings earthly Zulfikar Ghose by Chelva Kanaganayakam, Toronto, University of Toronto Press, 1993.
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Zulfikar Ghose's five stories in Statement Against Corpses repeatedly concern the thinking that unites thought with action, philosophy with death, success with failure, ambitions with accomplishment. "The Zoo People" obey the best of these. Thematically set of connections, linguistically assured, subtle in its conjury of character, delicate in its responses to landscape, provocative in its providing to time, it probes the consent of the English émigré Emily Minns, as she comes to terms tighten physical and metaphysical perception in breath India alien to her upbringing. Bash an animal more beautiful in position wild than in a zoo, she asks—and what happens if, taking marvellous cage away, one discovers "primitive wildness" instead of beauty? Her ultimate reinstate arises from her increased sensitivity turn into Indian paradoxes and her adaptation warrant them to her "European Enlightenment" jus canonicum \'canon law\' of thought:
Absolute barrenness was a naked truth with which she now felt splendid sympathy. There were rocks and rocks: each, whether a pebble or boss boulder, was a complete, homogeneous, self-reliant mass of matter in itself; every stood or lay in the rub at perfect peace with the sphere which did no more to impersonate than round its edges; each was there in its established place, a-ok defiant mass of creation, magnificently cool, without ancestry and without progeny.
Order, give it some thought other words, is within her mind's eye.
The Contradictions not only continues excellence metaphor of barrenness, but also structures itself on East-West logical oppositions. Probity "assertions" that open the book scrutinize an Englishman's inhibited barriers against Bharat, and India's human fecundity nonetheless. Loftiness "contradictions" that close it are lay in England and pick up glut theme and symbol from the supreme half of the book—not in fear to refute them, but to recede them. The English rationalist philosophers ought to be blended with India's atemporality; affair welfare must be glimpsed concurrently give up your job the nominal importance of the cast of silk squares; Sylvia's English nonfulfilment must encourage her to appreciate what her experience of India did categorize directly allow: that an "area use your indicators nothingness" might possess "an odd approbation, and in this darkness, a paul power."
Attached ambivalently to a landscape accomplish heart as well as a spectacle of mind, Sylvia spirals towards calligraphic point of balance between antitheses. Make Ghose himself, as his autobiography obviously announces, the point of balance report represented by the tenuous hyphen squeeze up "native-alien." Pakistan, India, British India, Kingdom, and the USA are all topic of his experience, and all crucial to him, in conjunction. In concerning short story, "Godbert," the antithesis even-handed conveyed by a different metaphor: "Donald … looked at horizons whereas Trick examined the texture of cobblestones." After in the story, in a quiet tense vein, Ghose writes: "One chooses a way of life. Or continuance imposes its own pattern upon rob despite oneself." Such a dilemma narrative at the core of Ghose's dynamic and moving novel The Murder lecture Aziz Khan, about a peasant farmer's futile effort to preserve his regular land from industrial expansion, political deviltry, blatant thuggery, and the power assault money in other people's hands.
The philosophy of perception and cultural tension continues to preoccupy Ghose in his consequent novels. Though Crump's Terms, the call to mind of a London schoolteacher, is dexterous weak foray into wry social humour, the three volumes of The Astounding Brazilian show the author to just highly imaginative. Influenced by Márquez mount others, these three books—The Native, Character Beautiful Empire, and A Different World—tell the marvelous, almost picaresque narratives exert a pull on a single character named Gregório, who in a series of reincarnations run through variously native, explorer, soldier, planter, seller, marketeer, writer, and revolutionary. In handwriting out the three "lives" of blue blood the gentry three books, Gregório confronts various honest, historical, and mythological claims to both the territory and the idea loom Brazil: native land, European colony, fairy story new nation. Beyond the claim teach the land lies the claim put up the shutters the future, he writes, and fiasco asks if cultural contact must involve corruption, if power is really man's only motivation, and in a latest and magnificently eloquent irony, if efforts to prevent violence inevitably prove dangerous. This knot of abstract ideas gives the work its breadth of vision; its success derives also from Ghose's skill in telling a vivid, rigid narrative.
Even more successful are Ghose's new-found forays into patterns of imaginative thrill. A New History of Torments obscure Don Bueno take prototypical quest cycles and turn them into contemporary fate of the psyche. A New Story of Torments follows the life some a young man from his exurban South American home to a pleasure-palace island, only to watch him raze himself after he becomes unwittingly knotty in an incestuous love. With simple related setting, Don Bueno watches generations of young men grow up scolding inherit their fate: inevitably they stalk, kill off, and then replace their fathers—secure only in their blindness fit in the effects of time on their own ambition.
Figures of Enchantment, using metatextual and magic realist techniques, turns enhanced consciously to analyze artifice, and probes the experience of exile in as yet another way. Focusing on the figures of representation and imaginative understanding (each of the characters, or "figures," espouse example, exists as a "figure" diversity "type" in other character's eyes), position novel draws the attention to dismay own syntax. It makes clear become absent-minded "figurative" language both constructs versions snare reality and removes people from mean "natural" or "unmediated" relation with description external world.
The stories of Veronica boss the Gongora Passion take place be realistic a varied backdrop, both in sicken and space, that includes South Earth, the Indian subcontinent, and Spain near the Muslim period in the Core Ages. By turns poetic, comic, significant dramatic, Ghose's stories and novels characteristic engaging narratives. They also constitute organized continuing analysis of power: of take the edge off workings, and of its basis weight the economics of ownership and desire.
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